With “Preserve warped timing” enabled, the clip will be sliced in such a way that timing alterations as a result of warping are preserved. The Slicing Preset chooser contains a few Ableton-supplied slicing templates, as well as any of your own that you may have placed in your User Library’s default presets folder (see ‘Default Presets’). If your audio file is in REX format (see ‘REX Mode’), the slicing will be based on the file’s internal timing information and you won’t see this chooser. You can fix this by either setting a lower slice resolution or by selecting a smaller region of the clip to slice. Since a Rack can contain a maximum of 128 chains, Live won’t let you proceed if your choice would result in more than 128 slices. The top chooser allows you to slice at a variety of beat resolutions or according to the clip’s transients or Warp Markers. This offers a list of slicing divisions, as well as a chooser to select the Slicing Preset. When you select Slice to New MIDI track, you’ll be presented with a dialog box. The Drum Rack (see ‘Drum Racks’) provides an ideal environment for working with sliced files, and most of the setup happens automatically after you make a few choices: Instead, it simply splits the original audio into portions of time, regardless of the content. Slicing differs from the Convert commands below, in that it doesn’t analyze the musical context of your original audio. This command divides the audio into chunks which are assigned to single MIDI notes. When an audio clip is selected, four conversion commands are available in the Create Menu or the right-click(Win) / CTRL- click(Mac) context menu for the clip.Ĭontext Menu Commands For Converting Audio To MIDI. It's possible to create control surfaces with basic functionality in Live.(Note: the features discussed in this chapter are not available in the Intro and Lite Editions.)Īlthough Live’s warping allows for audio files to be used much more flexibly than in traditional audio software, there are also a number of ways to extract musical information from audio clips and place it into MIDI clips, for additional creative possibilities. See our dedicated article about installing third party control surfaces for devices (if available). If there is no native control surface available for your controller in Live, you can check with the manufacturer to see if they have their own control surface for the device. This means that after configuring the User Ports correctly, you can enter user mode and create your own MIDI mappings, allowing you to swap back and forth between your own mappings and predefined ones. Some devices like Push 2 or the Novation Launchpad have a dedicated User Mode. Assigning a parameter will override its regular function to allow for a custom assignment. With certain control surfaces it is not necessary to disable the MIDI Remote Script as described above. Overriding a Control Surface with MIDI mappings This will prevent the automatic detection of your control surface.Keep the the correct Input and Output ports for that device.Select "None" in the Control Surface chooser.To stop a control surface from activating automatically each time a controller is connected: If you're unsure which ports to choose, please check the manual for your MIDI device.Then select the correct Input and Output ports for that device. Open Live's Preferences to the Link/MIDI tab.If that doesn't happen, it can be enabled manually: Normally a control surface will be chosen automatically when you connect a device. Control surfaces are specially written scripts which enable tactile control of Live through predefined parameters.Ĭonfiguring a Control Surface in Live's Preferences
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